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DAZN Japan

Dieses Thema im Forum "DAZN" wurde erstellt von VM_83, 22. Februar 2018.

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nordfreak Guest

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Zitat von nordfreak: ↑

DAZN Japan lässt sich mit VPN (zB: Nord VPN) nicht öffnen, so zumindest meine Recherche
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Jetzt aber > doch "offen" mit Nord VPN

nordfreak, 4. September 2020

#61

rom2409 und azureus gefällt das.
Snowman2016 Talk-König

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Zitat von nordfreak: ↑

Jetzt aber > doch "offen" mit Nord VPN

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Die Frage ist hier aber, für wie lange wird da offen sein? DAZN ist ja dafür bekannt, VPN's sehr schnell und konsequent zu sperren.

Snowman2016, 4. September 2020

#62
nordfreak Guest

Immer noch "offen" mit einem sauberen Bild (fps endete bei etwas mehr als 49 000)

nordfreak, 26. September 2020

#63
NRW10 Institution

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Zitat von nordfreak: ↑

Immer noch "offen" mit einem sauberen Bild (fps endete bei etwas mehr als 49 000)
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Ich kam auch ohne Probleme auf die Seite konnte aber kein Stream abspielen

NRW10, 29. Oktober 2020

#64
matzlov Gold Member

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LG OLEDevo 77 Zoll, Samsung 50 Zoll UHD TV, 2x Apple TV 4k, NvidiaShield, Zattoo Premium Schweiz, RTL+, MagentaTV, DAZN, PrimeVideo, Apple+, NBA LP, BBC Iplayer, BlueTV Air free, Blue Sport, Viaplay Polen, Sky CH, SkyX, Discovery+ Deutsch,
Windscribe VPN, dns4me, Smartstreaming DNS, GLInet VPN Router, 2x Samsung Tab S7, Samsung Tab S8 Ultra, Poco X5 Pro 5G

muss im Konto Englisch eingestellt sein

matzlov, 30. Oktober 2020

#65
BerlinHBK Lexikon

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DAZN EXPANDS ORIGINAL CONTENT STRATEGY WITH ICONIC FOOTBALL SERIES ‘YABECCHI STADIUM’

• ‘YABECCHI STADIUM’ IS THE LATEST SERIES TO LAUNCH ON DAZN IN JAPAN AS THE PLATFORM RENEWS ITS FOCUS ON ITS EXISTING MARKETS
• THE SERIES WILL LAUNCH ON DAZN IN JAPAN ON SUNDAY 29th NOVEMBER

TOKYO / LONDON, Nov. 24, 2020 ― DAZN, the world’s leading sport destination, will launch the iconic football entertainment series, ‘Yabecchi Stadium’, in Japan as the platform increases its commitment to original content. The series was unveiled today during a press conference featuring J.League Chairman Mitsuru Murai, and is the first original content to be announced as DAZN continues its focus on its existing markets.

‘Yabecchi Stadium’ will launch on DAZN on Sunday 29th November, featuring weekly J.League news alongside exclusive player insights. It will be hosted by Japanese football’s fan-favourite, Hiroyuki Yabe, who previously led the football phenomenon, ‘Yabecchi F.C.’, on Japanese TV for 18 years.

The series enhances DAZN’s contribution to the growth of Japanese domestic football. DAZN currently streams all domestic J1 League, J2, and J3 matches in Japan and recently extended its rights and content partnership with the J.League until 2028.

‘Yabecchi Stadium’ also adds to the platform’s growing portfolio of original content including; ‘Giants’, a documentary series celebrating Japan’s most successful baseball team, the Yomiuri Giants; ‘The Making Of’, an immersive documentary series reliving the moments that defined the biggest global sporting icons, featuring Cristiano Ronaldo, Neymar Jr., José Mourinho and Marc Marquez; and ‘One Night: Joshua vs. Ruiz’ the retelling of one of the biggest upsets in modern boxing history, co-produced by Sylvester Stallone’s Balboa Productions.

Ed McCarthy, DAZN Chief Operating Officer said: “‘Yabecchi Stadium’ marks the start of a new chapter for original programming on DAZN. In addition to our extensive portfolio of live sport, DAZN will increase its focus on delivering high-quality, original content to sports fans across the world.”

Hiroyuki Yabe commented: “I’m happy to announce that we will start a new football series on DAZN, a must-have service for all football fans nowadays. We will work very closely with football players and J.League clubs to deliver exciting original content for all fans.”
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DAZN EXPANDS ORIGINAL CONTENT STRATEGY WITH ICONIC FOOTBALL SERIES ‘YABECCHI STADIUM’ | DAZN Media Centre

BerlinHBK, 24. November 2020

#66
Murgl Gold Member

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DAZN and KDDI partner to offer 5G streaming in Japan

Murgl, 10. Dezember 2020

#67
BerlinHBK Lexikon

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Assessing DAZN’s J.League play four years on
DAZN's strategic shift in 2020 was perhaps best illustrated in August by the restructuring of its J.League broadcast partnership towards an equity share model. As the digital sports media company moves into a new phase, is it still going big in Japan?

DAZN’s entrance into the Japanese market is one of the more audacious in the modern age of sport’s broadcasting. Entering a new territory and snapping up tier one domestic sports rights as a digital-only player would be a bold move in 2020, let alone 2016.

The UK-based media company went all in, becoming the first pure-play digital platform to acquire every game from the J.League and rights to 11 of the 12 Nippon Professional Baseball (NPB) teams - arguably Japan's two biggest sports properties.

In August this year, DAZN and the J.League extended that contract until 2028, restructuring the deal over that longer period for a slightly reduced rights fee. DAZN is now paying JA¥223.9 billion (US$2.1 billion) over 12 years as opposed to JA¥210 billion (US$1.97 billion) over ten years, but the agreement features an incentive-based profit-sharing model which DAZN says could boost the value of the contract further.

At a time when DAZN is bidding to consolidate its rights portfolio and giving up deals it is struggling to monetise, the company claimed the remodelled contract was ‘transformational’ and that it could shift broadcast partnerships away from legacy arrangements based solely on fixed license fees.

Perhaps being an early mover is not that surprising for DAZN. Oya Takeyuki, the J.League’s general manager of global business, says DAZN has been prepared to take risks from the moment it entered the scene in Japan.

“When DAZN came in, at the time, everybody thought that [digital] is the future,” said Takeyuki. “But I don’t think anybody could really say 100 per cent that was DAZN. We agreed a vision for the future and started this new journey.

“There were two big things to consider: the first was the investment DAZN made when it came into this Far East country; the second point was to be the first league, at the time, that goes 100 per cent digital. That was a big impact, not only in Japan, but as a global sport.

“The comments from the fans were around what is DAZN and where they can watch the J.League. That was the first impression, but then, with the help of DAZN, we were able to educate them and show the ease of access to watch the J.League anywhere, at anytime and on any device. People started to learn.”

Japanese soccer is still in the early stages of its development when measured against Europe’s big five leagues. With little more than 11 million domestic soccer fans, the J.League has a long way to go before establishing itself as a competition of true international renown. Even more so when you consider it is fighting against the globalisation efforts of the big foreign clubs. Barcelona, for example, have a digital fanbase exceeding 16 million in Asia alone.

However, with DAZN's backing, the J.League is gathering steam. Since 2016, the league has signed up more overseas broadcasters as player-focused partnerships such as the one between DAZN and marquee Vissel Kobe star Andrés Iniesta have heightened interest in the league outside Japan.

“We have a lot to be grateful for to the J.League around the partnership that we share,” says Martyn Jones, DAZN’s executive vice president for Japan. “The J.League were one of the first major rights holders to take a bit of bravery at the time and agree a purely OTT deal with this unknown upstart from the UK. That was three and a half years ago.

“At the time, we did a huge amount of due diligence prior to launching in any of our markets, including the broadband infrastructure, whether there was propensity to pay for content, and also looking at what major rights were available at the time.

“In Japan, we looked at whether that market was ready for an OTT launch that could be sustainable over the short-term but allows room to develop a product that is also profitable in the long-term.

“Japan, on paper, looked incredible on the basis that you have 120 million people, GDP was pretty good, the broadband infrastructure is very good, and one of the first markets that was going to adopt 5G, within a rights market that was looking to evolve.”

By making the games more easily accessible, DAZN's broadcast partnership has also served as a marketing tool to make the J.League more attractive as an entertainment property. Average matchday attendance for Japanese soccer's elite tier has grown from 17,900 in 2016 to more than 20,000 today.

“That is something we were targeting for the last six years,” Takeyuki continues. “What’s good about OTT is that it [takes content] direct to the consumer, so we can share the behaviour of the consumer based on the data and do the right marketing campaign and promotion.

“Step by step, I believe [we] did a good thing and, as the results come back, we can see that from the average attendance of more than 20,000. These, compared to the European leagues, are not bad numbers. We were looking to make the next step, but then Covid happened, and we restarted the deal going forward.”

Whilst the coronavirus pandemic has been a setback, the aforementioned two-year extension shows a willingness on both sides to continue moving forward together. The decision to renegotiate was made largely because of the detrimental impact of Covid-19 on DAZN's finances, but also because the company values the J.League property at a time when elsewhere it has been cutting back its rights spend.

Jones continues: “Whilst you may take a step back and say, ‘well, that’s not completely innovative’, I think for a major regional rights holder, to move from where we are today to a position where we could pivot and change is pretty revolutionary. We thank the J.League for that and thank the partnership because I think it shows the strength of the partnership and the belief in the plan.”

DAZN has doubled down on its investment in other areas, including its domestic Bundesliga rights acquisition in Germany and has also now rolled out its boxing-focused global streaming service.

In Japan, DAZN is also building out its content offering. A new soccer show called Yabecchi Stadium, which features original content and highlights from the J.League’s top flight, offers more context to its live games. Going forward, Jones says the group will be investing in more shoulder content regionally.

Whilst European soccer is very popular in Japan, Jones says that demand is greater in Southeast Asia. Therefore, Jones believes that, by working closely with the J.League, DAZN can continue to scale its offering in Japan by acquiring premium properties that keep subscribers on the platform during the off-season.

“Our rights portfolio here is probably the most comprehensive in the world, possibly outside [of our operation in] Canada, in that we have a very strong football offering with the domestic and European leagues we broadcast in Japan,” Jones adds, reeling off an impressive programming roster, including live rights to the Premier League, La Liga, Serie A, and Ligue 1.

“I would say that we’re pretty well covered. We do look at what we do around the season breaks, and is one of the reasons why we double down with European football, so that we continue to see subscribers stick around during the winter break we have here between December through to February.

“The next step for us, while there is always content that we would love to bring on, is how we then evolve DAZN into a broader sports destination and the role that gamification plays and more social interaction plays, as well as the role for non-live content.

“Everybody has been inspired by some of the content that’s been produced across Netflix and Amazon Prime, and we certainly see that as being something quite unifying with our live sports rights.”
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Assessing DAZN’s J.League play four years on

BerlinHBK, 15. Dezember 2020

#68
Murgl Gold Member

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DAZN signs up Tsunoda and Scuderia AlphaTauri in Japanese F1 push | SportBusiness Media

DAZN has signed up Japanese Formula 1 driver Yuki Tsunoda as a brand ambassador to promote the OTT subscription platform in Japan
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Murgl, 4. März 2021

#69

azureus gefällt das.
nordfreak Guest

ua. die Formel Eins live

nordfreak, 12. März 2021

#70

azureus gefällt das.

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